The White Butterfly Set brings a sense of purity and modern elegance to any interior space. Each butterfly is delicately sculpted with fine detailing, capturing a natural and serene look that symbolizes grace and tranquility. Crafted from premium white ceramic with a smooth matte...

Description: The Ceramic Luxury Apple with 24K gold refinement from the EVA Luxury Texture collection is a stunning piece of art. Featuring intricate decorations, the design process involves removing precious metals like 24K gold, bronze, and platinum from certain areas, creating a silky smooth...

An elegant decorative piece featuring a pair of real natural sea shells, arranged as open bowls and mounted on a sleek nickel-plated brass stand with a flared conical base and polished finish. At the center, a sculptural coral-inspired branch detail adds a whimsical marine...

An impressive decorative piece featuring a natural Lapis Lazuli stone, cut into a sleek geometric point that showcases the deep royal blue color and shimmering golden pyrite inclusions unique to this precious gemstone. The stone is elegantly mounted on a nickel-plated brass base, offering...

An eagle caught at the moment it leaves the rock, cast in bronze by hand and mounted on a cluster of natural rock crystal and amethyst. The stone is quarried, not moulded, so the base of every piece differs — its colour, its fracture,...

An eagle at full span, both wings extended and the body tilted into the turn, cast in bronze and set on a polished marble oval with clusters of amethyst at either side. Where the standing eagle is about weight, this one is about reach...

The largest bird in the collection at 56 cm: an eagle dropping onto its prey, wings swept back and talons forward, mounted on a split amethyst geode whose violet interior is left exactly as it came out of the ground. The stone is quarried...

A horse rearing onto its hind legs, the whole weight of the bronze carried through two points of contact — the hardest thing to cast and the reason this piece is priced as it is. It stands on a bed of citrine and rock...

Three horses moving together across a marble slab set with rock crystal and amethyst — one leading, two following, each cast at a different phase of the same stride. Composition is what this piece is about: it changes completely depending on which side you...

Two horses at a gallop, one ahead and one gathering to follow, on a pale marble slab scattered with citrine and amethyst. The smaller of the herd pieces, and the easier of the two to place on a desk or a shelf rather than...

A rider seated on a walking horse, hair and dress carried back by the movement — a quieter subject than the rearing and jumping pieces, and the one that reads best in a room rather than an office. Bronze on a deep amethyst bed....

Horse and rider clearing a fence, the animal folded at the knee and the jockey low over the neck — the instant of the jump rather than its approach or landing. Cast in bronze over a base of amethyst and citrine on marble. The...

A gazelle standing alert, head raised and long ringed horns swept back, cast in bronze on a bed of rock crystal over marble. The stance is the whole piece — weight on the front legs, ready to move. The stone is quarried rather than...

A camel folded down onto its knees — the resting posture, and the harder of the two to model convincingly. At 20 cm it is the smallest Ebano piece in the range, low and wide enough for a desk or a shelf at eye...

A camel and an Arabian oryx sharing one base — two animals of the same desert, cast at the same scale so neither dominates. The straight horns of the oryx cut against the camel's curve, which is the reason the pairing works. 33 cm....

A camel standing at rest, the bronze worked to show the coat rather than smoothed over it, mounted on a wide bed of raw amethyst. Of everything Ebano casts, the camels are the pieces that belong most naturally in a Saudi home. 33 cm....

Two camels on one base, one standing and one seated — the pair as they are actually found, not posed in matching positions. Bronze on a bed of rock crystal and amethyst over black marble. 32 cm. The stone is quarried rather than cast,...

Two hearts lifted on a pair of wings, finished in polished silver tone on a mirrored disc. This is the large version at 20 cm — enough presence for a console or an entrance table, and the size usually chosen for a wedding or...

The small version of the winged hearts, 11 cm on a mirrored disc. Sized for a bedside table or a desk, and the one bought when the gesture matters more than the scale. Made in Italy and supplied in its original Ottaviani box with...

The golfer in gold finish on the same clear crystal block — the version given for the win rather than the participation. Presented as a pair with the silver, the two make an obvious first-and-second. Made in Italy and supplied in its original Ottaviani...

A golfer at the top of the backswing, the figure worked in textured silver tone and the club drawn out in a single fine line, mounted on a clear crystal block. A trophy in everything but name — which is exactly how it tends...

A ladybird the size of a thumbnail, its shell pulled in red crystal and spotted in black while still hot. At 5 cm it is the smallest piece in the collection — the one that ends up on a desk, a windowsill, or a...

An elephant with its trunk raised — the position that, by long tradition, is the one that holds the luck in. The body is drawn in violet and amber crystal with the trunk pulled upward in a single movement. 17 cm. Worked by hand...

The tallest of the elephants at 25.5 cm, its body banded in rainbow colour that runs the full height of the trunk. Large enough to read from across a room, and light enough that it still belongs on a shelf rather than a plinth....

A seahorse drawn out of hot crystal by hand, its body banded in tropical rainbow colour and finished on a clear foot. Each piece is worked individually, so no two carry exactly the same sequence of colour. Standing 23.5 cm, it holds a shelf,...

A seabird resting rather than flying, its body divided cleanly between red and yellow with a black beak drawn to a point. The form is simplified almost to a silhouette, which is what lets the colour carry it. 10.5 cm. Worked by hand from...

A sail curved as though it has just taken the wind, drawn in blue and green crystal on a clear hull. It reads well against a window, where daylight passes straight through the sail and the colour separates. 20 cm. Worked by hand from...

The tallest figure in the collection at 27.5 cm: a parrot standing upright on a clear base, its plumage striped in green, teal, and violet, with a fine crest drawn out at the top. A piece with enough height to stand alone on a...

A dog stretched out along its front paws, worked in warm amber crystal with a black muzzle and ears. The long reclining line is difficult to pull in one piece, which is why the shape carries more craft than its simplicity suggests. 16.2 cm....

A dolphin caught mid-leap, the arc of the body striped in turquoise, green, and amber along its length. Mounted so the tail carries the weight and the head stays clear of the surface — the whole piece reads as movement held still. 16.3 ×...

A cat sitting with its tail curled forward, the body wrapped in wavering bands of orange, teal, and cream that follow the curve rather than cut across it. The face is drawn in fine dark lines. 20.5 cm. Worked by hand from hot crystal,...

The middle elephant, 21 cm, with the trunk raised and the body banded in warm rainbow colour. Shown on a plinth in the catalogue, but it stands perfectly well on a shelf — the base is finished flat and clear. Worked by hand from...

A seahorse in softer colour than the rainbow version — rose, cream, and pale amber running the length of the curved body, with the dorsal fin and crest pulled out by hand. 23.5 cm on a clear foot. Worked by hand from hot crystal,...

A bull standing four-square, the body banded horizontally in green, rose, amber, and blue, with horns and tail drawn out in clear crystal. The stance is what makes it — heavy in the shoulder, light on the legs. 23 × 11.5 cm. Worked by...

A seated bear in clear crystal with three red ladybirds set on its paws and shoulder — the only colour on the piece, and enough. A christening or new-baby gift that survives the nursery and becomes a shelf piece afterwards. 11.5 × 9.5 ×...

A small seated cat in clear crystal scattered with blue and red murrine — sections of coloured cane sliced and fused into the body, so the pattern sits inside the crystal rather than on it. 8.5 × 4.5 × 12 cm. Worked by hand...

An angelfish worked flat, its body filled with blue and white murrine florets and its fins drawn out to fine clear points. Held up to a window the murrine read individually, like a section through a garden. 12 × 3.5 × 12.5 cm. Worked...

A dolphin arched through a clear crystal wave, the body seeded with blue and red murrine that gather along the back and thin out toward the tail. Smaller and quieter than the rainbow dolphin, and easier to place. 12.5 × 7 × 8 cm....

A seahorse in a single soft rose, the colour laid on thin so the crystal stays translucent from crest to tail. The most restrained piece in the collection — it reads as sculpture first and colour second. 9.5 × 6 × 21.5 cm. Worked...

A sea turtle with its flippers spread, the shell swirled through with deep blue and turquoise and a fine sparkle held inside the colour, like water seen from above. Low and wide at 11.5 × 9.5 × 5 cm — a piece for a...

A starfish laid flat, its five arms swirled through with deep blue and turquoise and finished with a clear rim. At 12.5 cm across it is a paperweight in scale — the piece that gets added to an order rather than chosen alone, and...