A table lamp from Ottaviani's Flamingo line, its stem stacked from cut crystal spheres in rose and smoke that pick up the light long before the lamp is switched on. The pleated shade keeps the glow soft and directed downward. Standing 55 cm, it...

The small version of the winged hearts, 11 cm on a mirrored disc. Sized for a bedside table or a desk, and the one bought when the gesture matters more than the scale. Made in Italy and supplied in its original Ottaviani box with...

Two hearts lifted on a pair of wings, finished in polished silver tone on a mirrored disc. This is the large version at 20 cm — enough presence for a console or an entrance table, and the size usually chosen for a wedding or...

The small Gemma, 12.5 cm: a domed crystal shade cut in a fine diamond grid over a slim gold base, with the light source inside the dome itself. Sized for a bedside, a bathroom shelf, or a dining table where a low glow is...

The full-height Gemma at 74 cm — the tallest lamp in the range. Flattened crystal ovals are stacked along the stem, each cut to a different depth so the column narrows and widens as it rises. A lamp for a console or an entrance,...

Enjoy elegance and practicality with the leather cardholder, specifically designed to organize your cards in a stylish and secure way. With its compact size of 12.5 x 8 cm, this holder is perfect for carrying credit cards and personal cards comfortably and easily. Made...

White peonies opened across a gold-leaf ground, the flowers built up thickly in white and cream while the gold is left flat behind them. Supplied in a slim gold frame — the only framed work in the collection, and the most formal of them....

The golfer in gold finish on the same clear crystal block — the version given for the win rather than the participation. Presented as a pair with the silver, the two make an obvious first-and-second. Made in Italy and supplied in its original Ottaviani...

A golfer at the top of the backswing, the figure worked in textured silver tone and the club drawn out in a single fine line, mounted on a clear crystal block. A trophy in everything but name — which is exactly how it tends...

A ballpoint in gunmetal grey, the barrel worked in a fine overlapping scale that runs its length. Darker than chrome and less formal than black — the one to pick when a plain pen looks too plain. Presented in its original Ottaviani case with...

Il Fiore dei Fiori — the flower of flowers — a single white bloom opened across the whole canvas, its petals built up in thick white paint and edged with gold leaf against a soft grey and ochre ground. 80 × 80 cm, square....

La Prima is the tallest lamp Ottaviani makes at 67 cm — a column of cut crystal discs stacked on a square crystal foot, under a wide pleated shade. Lit, the stem glows from inside rather than reflecting; unlit, it reads as a sculpture...

A ladybird the size of a thumbnail, its shell pulled in red crystal and spotted in black while still hot. At 5 cm it is the smallest piece in the collection — the one that ends up on a desk, a windowsill, or a...

An open landscape under a full sky — a barn, a silo, a line of fields — painted in oil and finished with a gloss varnish that deepens the blues. The sky takes two-thirds of the canvas, which is what gives a 100 ×...

A dolphin caught mid-leap, the arc of the body striped in turquoise, green, and amber along its length. Mounted so the tail carries the weight and the head stays clear of the surface — the whole piece reads as movement held still. 16.3 ×...

The middle elephant, 21 cm, with the trunk raised and the body banded in warm rainbow colour. Shown on a plinth in the catalogue, but it stands perfectly well on a shelf — the base is finished flat and clear. Worked by hand from...

The tallest of the elephants at 25.5 cm, its body banded in rainbow colour that runs the full height of the trunk. Large enough to read from across a room, and light enough that it still belongs on a shelf rather than a plinth....

A roller pen sleeved in carbon fibre under a polished metal collar — the weave visible through the lacquer, catching light in a fine cross-hatch. Slim in the barrel and heavier at the cap, which balances it toward the hand. Presented in its original...

Luxury Crystal Serving Tray by Ottaviani. Bring a touch of Italian elegance into your home with this exquisite crystal serving tray from Ottaviani. Crafted with precision, this tray combines fine Italian artistry with pure crystal quality, making it a standout décor piece or a...

A mechanical pencil taking a 2.2 mm HB lead — thick enough to sketch with, not just to write. The body is plated brass in matte black with a chrome tip and clip, and it has the weight that makes a pencil sit still...

The Ottaviani Classic Crystal Bowl is a luxurious piece that combines elegance with classic design, making it an ideal gift or a stunning addition to your home. Crafted from high-quality crystal, this bowl reflects light beautifully and adds a touch of sophistication. With balanced...

The silver piece is a perfect and elegant addition to any interior decor, blending luxurious beauty with a modern touch. Made with high-quality metal, it ensures durability and distinction. The design is inspired by the fresh beauty of spring, bringing a touch of freshness...

The large mint box: the same rows of pale green crystal stones and clear faceted lid, in the size that holds a watch or a folded chain. Bought with the small one they read as a set, and they are usually displayed that way....

A cube box built from rows of square crystal stones in pale mint green, with a clear faceted lid and finial. The small size of the mint family — for a single ring or a pair of earrings, or as the piece that sits...

Albero della Vita — the tree of life — engraves branches and small leaves around the oval, an old Mediterranean motif for family, continuity, and roots. It is the frame given when the photograph inside is meant to stay in the family. 10 ×...

The engraved Albero della Vita oval at 13 × 18 cm, where the branches have room to spread and the motif becomes legible as a tree rather than as pattern. A wedding or anniversary frame. Made in Italy and supplied in its original Ottaviani...

The Caramella scallop in plain white — the same softened silhouette with the colour taken out, leaving only the shape and the silver edge. The one to choose when the photograph should carry the colour. 10 × 15 cm. Produced in Italy and presented...

The Caramella scallop in yellow and white — the warmest of the five colourways, and the easiest to place in a room that is not decorated for a child. 10 × 15 cm, enamel over Miro Silver. Produced in Italy and presented in its...

The Caramella scallop in rose and white. The stripes are wide and the edge is soft, which is why this frame reads gentler than its colour suggests — it can hold a christening photograph for years without looking outgrown. 10 × 15 cm. Made...

The Caramella scallop in green and white — the colourway that sits best beside plants and natural wood. 10 × 15 cm, enamel stripes over the Miro Silver body. Made in Italy, and it arrives boxed by Ottaviani with the brand's international warranty. Specifications...

The same Python scale, this time in coral red — a frame that carries a photograph and still reads as colour on a shelf of neutrals. The 13 × 18 cm aperture suits a portrait or a travel print, and the weighted back stands...

The largest of the Python frames, in coral red over Miro Silver. At 18 × 24 cm it is sized for the photograph a room is arranged around — a wedding portrait, a family group — and it has the weight to hold a...

The quilted Couture lattice at 13 × 18 cm. The smaller field tightens the diamonds and makes the frame busier with light — good on a desk under a lamp, where the movement is visible from close range. Produced in Italy and presented in...

Couture quilts the border into a diamond lattice, the way a padded leather panel is stitched — each facet catching the light at a slightly different angle so the silver moves as you pass it. At 18 × 24 cm it is the statement...

The Python frame in its middle size, the border printed with a dark grey snakeskin scale over Ottaviani's patented Miro Silver finish. At 13 × 18 cm it takes a standard print without cropping, and the pattern is fine enough to read as texture...

A photo frame from Ottaviani's Miro Silver line, its border carrying a dark grey python print over the brand's patented silver finish. The 9 × 13 cm aperture suits a portrait or a small family photograph, and the weighted easel back holds it steady...

Dolce Vita hammers the oval border by hand, leaving a broken, irregular surface that scatters light instead of reflecting it cleanly. Against a polished frame it looks almost unfinished — which is the point. 10 × 15 cm. Made in Italy and supplied in...

The hammered Dolce Vita oval at 13 × 18 cm. The larger border gives the hand-worked surface room to show its irregularity, and no two frames break the light in quite the same way. Made in Italy, and it arrives boxed by Ottaviani with...

The small Il Sole oval in gold, 10 × 15 cm. Bought as a pair with the silver, the two sit well together — one for each side of a photograph wall or a console. Made in Italy and supplied in its original Ottaviani...

The Il Sole oval in its gold finish — the same radiating border, warmed. Gold suits an older photograph, a sepia print, or a room already working in brass and amber tones. 13 × 18 cm. Made in Italy, and it arrives boxed by...

The small Il Sole oval, 10 × 15 cm — the size for a bedside table or a shelf where a face should be met at close range. The rays are shortened with the frame and read finer for it. Produced in Italy and...

Il Sole — the sun — sets an oval aperture inside a border of rays that widen as they leave the centre. The oval is the older, more formal way to frame a face, and the radiating silver gives it movement the rectangle cannot....

The Tulipani border at 13 × 18 cm, where the tulips sit closer together and the frame reads as a single ornamented band. A natural gift for a mother, a graduation, or a first home — it announces the occasion without a word printed...

Tulipani runs a band of tulips around the border in soft rose and green, drawn rather than embossed, so the flowers stay flat against the Miro Silver and never compete with the photograph. This is the large size, 18 × 24 cm — the...